Zoom FXR 108N ( zoom f8) Multi-Track Field Recorder

Advances in video have made filmmaking accessible to creators everywhere. But the accessibility of professional audio devices has not kept pace. Field recorders, with essential features such as time code, have been unobtainable for most. Until now.

The F8 is made for serious filmmakers and sound designers.


With 8-input/10-track recording, super low-noise preamps, and support for 24-bit/192 kHz audio, the F8 captures the highest-quality audio.

$1,789.00
In stock
SKU
ZOOMF8

The F8 is made for serious filmmakers and sound designers.
With 8-input/10-track recording, super low-noise preamps, and support for 24-bit/192 kHz audio, the F8 captures the highest-quality audio.

Includes

  • Camera mount adapter
  • Zoom AD-19 12V AC adapter
  • Operation manual
  • TA3 to XLR cable x2
  • Cubase LE and WaveLab LE download codes

Inputs
Connectors 8x XLR/TRS combo jacks
XLR Inputs
Input Gain +10 to +75 dB
Input Impedance 3.3 kOhm
Maximum Input Level +14 dBu (at 0 dBFS, limiter ON)
Phantom Power +24/+48V 10 mA maximum for each channel

Line Inputs
Input Gain -10 to 55 dB
Input Impedance 22 kOhm
Maximum Input Level +34 dBu (at 0 dBFS, limiter on)
Equivalent Input Noise -127 dBu or less (A-weighted, +75 dB input gain, 150 ohm)
Frequency Response 10 to 80,000 Hz
Dynamic Range 120 dB typ (-60 dBFS input, A-weighted)
Crosstalk -69 dB or less (between adjacent channels, 1 kHz)
Mic Capsule: Zoom mic capsule input (use disables inputs 1/2)
Slate Mic: Built-in mic for voice memos can be assigned to tracks freely

Main Outputs
Connectors Main Out 1/2: TA-3 Connectors, balanced output (2: hot)
Sub Out 1/2: 3.5 mm stereo mini unbalanced output jack
Headphone: 1/4" unbalanced stereo output jack
Output Impedance Main Out 1/2: 150 ohm or less

Sub Out 1/2: 150 ohm or less
Headphones: 15 ohm or less
Reference Output Main Out 1/2: -10 dBV (normal output types), -40 dBV (mic output type, 1 kHz, 600 ohm load
Sub Out 1/2: -10 dBV (normal output types), -40 dBV (mic output type, 1 kHz, 10 kOhm load
Maximum Output Level Main Out 1/2: +10 dBV (normal output type), -20 dBV (mic output type), 1 kHz, 600 ohm load
Sub Out 1/2: +10 dBV (normal output type), -20 dBV (mic output type), 1 kHz, 600 ohm load
Headphone: 100 mW + 100 mW (1% or lower THD+N, 32 ohm load)
Dynamic Range D/A: 106 dB typ (-60 dBFS input, A-weighted)

Recording Formats

Supported Formats WAV: 44.1/47.952/48/48.048/88.2/96/192 kHz, 16/24-bit, mono/stereo//2-10 ch poly, BWF and iXML
MP3: 128/192/320 kbps, 44.1/48 kHz, ID3v1 tags
# Of Simultaneous Record Tracks WAV: 10 (8 inputs + stereo mix)
MP3: 2

Recording

Time Using a 32 GB card: 30:51:00 (48 kHz/24-bit stereo WAV), 7:42:00 (192 kHz/24-bit stereo WAV)

Time Code
Connector BNC
Modes Off, Int Free Run, Int Record Run, Int RTC Run, Ext, Ext Auto Rec (audio clock can be synchronized to Timecode)
Frame Rates 23.976ND, 24ND, 25ND, 29.97ND, 29.97D, 30ND, 30D
Precision ±0.2 ppm
Input Level 0.2 - 5.0 Vpp
Input Impedance 4.6 kOhms
Output Level 3.3 Vpp
Output Impedance 50 ohms or less

Power
Batteries 8x AA
AC Adapter AD-19 DC12V 2A (center plus)
External DC Source HIROSE HR10A-7R-4S 4-pin connector (1 pin: −, 4 pin: +), 9-16 V
Battery / Runtime When recording 2 channels at 48 kHz/16-bit
Alkaline Batteries: 7 hours or more
NiMH (2450 mAh): 9.5 hours or more

When recording 8 channels at 48 kHz/24-bit
Alkaline batteries: 2.5 hours or more
NiMH: 7 hours or more

When recording 8 channels at 192 kHz/24-bit with headphones, phantom power and display backlighting
NiMH (2450 mAH): 1.5 hours or more

Display
2.4" full-color LCD (320 x 240)

USB Class: USB 2.0 high speed

Interface
As multi track audio interface operation
Class: USB 2.0 high speed
Specifications: 44.1/48/96 kHz sampling rate, 16/24-bit bit rate, 8 in/4 out
Stereo Mix audio interface operation (no driver required)
Class: USB 2.0 full speed

Specification: 44.1/48 kHz sampling rate, 16-bit rate, 2 in/2 out

Dimensions (W x D x H) 7.02 x 5.50 x 2.16" (178.2 x 139.8 x 54.8 mm)

Weight
2.1 lb (0.95 kg)

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